Tony Bond
Stainless steel, wood, HDPE (high-density polyethylene)
With Device for Gauging Tolerance Bond took the
opportunity to bring drawing, which has always been central to his
practice, directly into the work in the form of stainless somatic
silhouettes that move independently while interacting with each
other. In bringing these drawings together he considers both the
formal and functional nature of a small tool used to measure gaps,
the feeler gauge.
Gaps often imply difference. In some situations, gaps are
essential for smooth running. These gaps allow for expansion
between moving parts and indicate when wear is present. In this
context, gaps are defined as either clearances or tolerances. These
are measured with the fine metal feelers that slide between
components, establishing the true state of the machine.
Tony Bond was born in Christchurch and lives in Corsair Bay on
Banks Peninsula. He has shown in many group exhibitions in New
Zealand and overseas since 1991, with solo exhibitions including
Squeeze at the Christchurch Art Gallery (2004-2005) and
Push at the Centre of Contemporary Art (2001).
Bond's uses a wide variety of materials and processes in his
art. His sculptural works in both ceramics and recycled materials
have brought him several awards, including The National Award
for Artworks in Reclaimed Materials (2004) and the Portage
Ceramic Award (2000).
Much of Bond's work reflects on our intimate connection with
utilitarian objects and technology, the underlying question of the
value we place on things and whether the meaning of something is
confined to or exhausted in its function. He sets out to make
objects that don't exist in the natural or functional world, while
exploring the ambiguity between the natural and the artificial.
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